I loved the images Michelle sent me last time. They included the suitcase, camel and art deco woman as well as the serrated map border. The drummer was an image I sent her, which came back to me. I suppose she picked the suitcase because I’ve been traveling this summer to Ireland. And thought there doesn’t seem to be anything Irish in the picture it does speak directly to many things about the journey.
It’s been a while since I’ve traveled anywhere unfamiliar or outside of the boundaries of the US. I’d been getting restless and plagued with wanderlust so the opportunity to go to Ireland came at just the right time. I went with a group of ten amazing women- strangers to me, but not unknown. They are all represented in the central figure of the young woman. There is a lovely camaraderie that occurs between women of a certain age who have worked hard all their lives seeking to know themselves. We envision life as a journey of possibilities and value it holistically, good,bad, ugly, sublime and ordinary all accepted as part of the whole. As within, so without. Once one accepts the inner journey than the outer journeys become full of metaphors and vice versa. When the inner and outer journey merge and the lines between them become fluid magic occurs. It’s that feeling I wanted to convey here for indeed, my Irish trip was in all senses a magical journey.
Specifically Irish, are the two matching hills in the scene behind the drummer’s head. They look like two breast-shaped mountains located near Killarney in County Kerry. These are the Paps of Anu long considered sacred first to the mother goddess Anu or Danu as she was known on the continent. Our trip was actually a pilgrimage to ancient sacred sites. In the collage, you see this reflected in these hills and also in the post card in the lower right hand corner depicting the ruins at Chaco Canyon in the American southwest, which resembles an aerial photograph of The City an ancient settlement at the foot of The Paps.
A mythical Asian creature guards the corner. He and the camel represent the animal spirits whose protection and guidance we sought for our travels. Along the way we journeyed shamanically guided by the amazing Amantha Murphy and her equally delightful assistant Rose Mummery who patiently and mindfully drummed for us. The vivid colors in the collage represent the intense exhilaration surrounding this adventure.
Finally, I can never think of traveling without thinking of my friend Naomi Bristol. She was an inveterate traveler who welcomed new experiences without fear or judgement. Naomi collected images of camels, a beast identified closely with long exotic journeys. Many years ago I wrote this poem for her, which seems to fit here as well…
THE CAMEL’S CARD(for Naomi Bristol)
Camel as totem
is hard to define,
exceedingly helpful,
not always benign;
if, in your cards, she
appears on this day,
journey and travelling
will hold you in sway.
~
Camel can teach you
to walk shifting sands,
carry loads lithely,
state your demands;
garner resources,
reserving and holding
interior wisdom
for later unfolding.
~
Contrary camel,
who stubbornly spits,
hoarding her genius
to strike with her wits,
appears in the cards
to warn against waste
of talent and temper
squandered in haste.
~
Feminine creature,
long lashes, soft eyes,
deceptively docile,
inscrutably wise,
guide to the desserts
which hide in the soul,
uncovering well-springs
to keep you heart-whole.