Tag Archives: Three

Luna’s Hare

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Luna's Hare_NEW_0001“Sometimes, when you’re deep in the countryside, you meet three girls, walking along the hill tracks in the dusk, spinning. They each have a spindle, and on to these they are spinning their wool, milk-white, like the moonlight. In fact, it is the moonlight, the moon itself, which is why they don’t carry a distaff. They’re not Fates, or anything terrible; they don’t affect the lives of men; all they have to do is to see that the world gets its hours of darkness, and they do this by spinning the moon down out of the sky. Night after night, you can see the moon getting less and less, the ball of light waning, while it grown on the spindles of the maidens. Then, at length, the moon is gone, and the world has darkness, and rest…..

…on the darkest night, the maidens take their spindles down to the sea, to wash their wool. And the wool slips from the spindles into the water, and unravels in long ripples of light from the shore to the horizon, and there is the moon again, rising above the sea….Only when all the wool is washed, and wound again into a white ball in the sky, can the moon-spinners start their work once more….”

Mary Stewart, The Moonspinners

Today, we introduce the Moon, as our symbol for the next few weeks. Though some ancient cultures saw the Sun as feminine and the Moon as masculine, in most minds Moon is equated with the feminine. Rightly so, for she governs conception, pregnancy and birth; sowing, sprouting and reaping – all things fecund begin with her blessing. It’s little wonder that in China, Korea, Japan people see a rabbit in the Moon, rather than a man or woman. The Cree nation also associates the rabbit and the moon as did the Aztecs. Of course some rabbits are white and they all like to come out at night, enhancing their association with the most magical, fascinating and unearthly object this world has ever known. Not that the sun doesn’t command respect and worship – it certainly does, but the elements of enchantment and numinosity are sometimes lost in its penetrating, consistent, brilliance. The Moon changes, wanes and waxes. Her gravitational power links us to her as the water that makes up 60% of our flesh moves to her rhythms, captive as the ocean tides. Whatever her phase, she never fails to stir the human imagination, even in her absence.

Rabbit happens to be my totem animal. She has many many attributes ranging from shameless trickster in her male guise to nourishing mother. Like the Moon, and all of us, Rabbit has a shadow side that complements her brighter aspects. For instance she is fearful and tends to freeze in the face of danger, her escape is swift and erratic and sometimes much too quickly triggered. She has always had much to teach me.

Rabbit also links us to the number three forming a bridge from our study of the last few weeks to this new, not so unrelated topic. Below you see some examples of the three rabbit or three hare motif. The first known representation of this symbol comes from some Chinese Buddhist temples along the Silk Road dating from about 600 B.C.E (obviously, it was already a commonly recognized image or it wouldn’t have been used as a temple decoration). Three rabbits form a lunar circle to share three ears, though each appears to have two. This optical illusion is created by arranging the three ears in a triangle, allowing each pair of adjacent hares to share an ear. In some ways it thus becomes a visual koan.

Buddhist Cave Painting, Silk Road circa 640 B.C.E.

Buddhist Cave Painting, Silk Road, China ca. 640 B.C.E.

Egyptian or Syrian 1200 C.E.

Egyptian or Syrian pottery fragment ca. 1200 C.E.

three hares Paderborn Cathedral

Church window, Paderborn, North Rhine-Westphalia, Germany ca.1600

 

 

 

The design must have struck some deep chord in people because it spread through China, and the Middle East and then across Europe, making the transition into Islam and Christianity without losing an iota of its original pattern.

Whichever of Rabbit’s facets we focus on, her long ears and soft fur speak to humans on some deep primal level – that same deep pool of unknowing through which the Moon moves, trailing our psyches behind her.

 

 

 

 

 

Hittite Priest

Hittite Priest Moon Priest

Ring Seal ca. 1600 B.C.E.

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Folklore and Number 3

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Folklore the Number 3

Folklore the Number 3

Rumpelstiltskin and the Number 3.

In the end, Rumpelstiltskin becomes the tricked instead of the trickster. First, he is the trickster and then the others turn the tables and trick him. By calling out his name, he looses his powers. In my collage, Rumpelstiltskin has come to claim the first-born and I am showing the moment just before the group chants out his true name.

One of the aspects of the story that I liked was the use of the power of three.  The spinning wheel goes whirl, whirl, whirl turning the straw into gold.
Rumpelstiltskin gives the Millers daughter 3 days to guess his true name. She has to turn three rooms full of straw into gold. He comes for the baby three months after it is born. The Jaybird, the squirrel and the foxes attract the Game Keeper. He hears the voice of Rumpelstiltskin and watches while the goblin sings and dances around the fire.

Three is a magical number in fairy tales. In most cultures and religions, numbers are carriers of symbolic meaning with often-complicated significance. Numbers are frequently expressions of the cosmic and human order or of the harmony of the spheres.

Three is a particularly significant number for most peoples. It is the synthesis of one and two, the symbol of the principle that embraces all, the image of mediation, and the number of sky (heaven) in contrast to that of earth the number four. The symbolic meaning of three probably relates to the elementary experience of productive fulfillment in the trinity of man, woman and child. Three also forms the basis of numerous systems and ideas of order.  Multiplicity; creative power; growth, overcoming duality, expression; and synthesis are associated with the number three. Three is the first number the word “all” has been appropriated. The number has a beginning, middle, and end. It is man as body, soul, and spirit. It is birth, life, death, past, present and future. It represents father, mother and child.  Once, twice can be a possible coincidence, but three times carries certainty and power.

Folklore has three wishes, three tries, three princes or three princesses, witches, fairies. Three being equivalent to the many, can symbolize a large number, a crowd, three cheers, and signifies fulfillment. Lunar animals are often three-legged. Three is the number of good fortune. Bad luck comes in threes. Counting to three is the minimal amount of counts while setting the rhythm or rate. The third time is a charm. In baseball, the batter gets three strikes before he is out. There are three outs and the side is retired.

In this story of Rumpelstiltskin, the number 3 plays a key role.  In the collage, and old woodcut shows a spinning wheel and a woman spinning. The Miller and the Goblin accompany her.  The King, Queen and the first-born are watching. The Miller stands defiant determined to foil the goblin. When he hears his name chanted Rumpelstiltskin  is so enraged that he stomps his foot driving it into the ground and then yanks his other leg so hard that he splits himself in two.