An archetypal content expresses itself, first and foremost, in metaphors. If such a content should speak of the sun and identify with it the lion, the king, the hoard of gold guarded by the dragon, or the power that makes for the life and health of man, it is neither the one thing nor the other, but the unknown third thing that finds more or less adequate expression in all these similes, yet-to the perpetual vexation of the intellect-remains unknown and not to be fitted into a formula.
~ Carl Jung”The Psychology of the Child Archetype,” CW 9i, par. 267
This piece rose out of Bunce’s Hindu interpretation of the Red Riding Hood story, which I posted last week. Here you see Indra the Sun god (represented in the story by our huntsman), dancing light back into the world. As the dark clouds roll away the Radiant Child is reborn once again. She carries our sun in her hand as she returns to bless Earth with warmth, light and life.
The Radiant child is an archetypal image carried (if you agree with Carl Jung and I do) in the collective unconscious of all Homo sapiens. He defines archetypes as, “Collective universal patterns or motifs, which come from the collective unconscious and are the basic content of religions, mythologies, legends, and fairytales.” The Hindu Krishna and the Christian Christ Child are examples of such arising.
The Radiant Child links the past to the future and represents a reconciliation of opposites. She/he is an androgynous figure who synthesizes consciousness and unconsciousness. The child is godlike, surrounded by an invulnerability born out of the wisdom of innocence. The Radiant Child inspires love and rejoicing, but also awe and fear. This particular manifestation of the godhead can be more terrifying than an angry Thor or Zeus; in its innocence the child sees through all hypocrisies and fabrications, like the boy in another tale who noticed that the emperor wore no clothes.
Nakedness is one of the Child’s attributes. It is a symbol of manifestation the transformation of energy from spirit to matter. It also represents purity and primeval essence that knows no fear.
Naturally all these words and ideas have their shadows, represented in my collage by the rolling clouds and dark tones, but notice they are essential to my composition. The darkness frames and defines the light. The clouds, with their life-giving moisture and soothing shade are not banished – simply pushed aside to create a balance. The dancing golden god/man represents that equilibrium as he balances on the toes of one foot.
Since I posted this morning, I’ve read a paper by my friend Jack Meier in which he explains the reason I felt compelled to add Van Gogh’s olive trees to this collage before I finished it. (Oh yeah! olives i.e. Athena – a radiant child in Her own right, fierce Wisdom). What Jack said fits perfectly with my own interpretation of this picture:
What this image of vegetation refers to is a continuation of the life process, which lasts forever and is beyond the opposites of life and death. This image is not to be understood concretely, but as a symbol for something psychic; existing beyond life and death, a mysterious process which survives the temporary blooming and dying of visible life, which is, after all, a changing of form.